I learned today that Tor.com has two different form rejections, one a little less form than the other, and that's the one I got today.
Along with the regrets that the short story they read wasn't quite what they were looking for, and luck sending it elsewhere, it includes the line "Please send us more of your work in the future."
I read an interesting article not long ago about the gender split of story submission behavior. It claimed that men, when they receive an encouragement like that, try to follow up as soon as possible (some markets want a gap between your submissions, as a for instance, a week, a month, etc.) and women will sometimes wait up to 6 months, if they submit to that market again at all.
I'm not sure how true it is. I'm not saying it isn't true either. I honestly don't know.
There are a lot of women writers getting published out there. The women who are successful, or becoming successful, could not possibly have been such shrinking violets when it came to submitting their stories. They had to have kept trying, kept sending them out (or been so goddamn brilliant they got published the first time out. I'm sure that happens to some people as well).
And then there's this blog post on The Missouri Review about perseverance (Okay, "stubborn" might get bandied about a bit). I feel like writers who are successful even a little, they persevere. They get the rejection and go "Okay, where can I send this next". Or, "What changes do I need to make so that this becomes a better story?" I try to do both of these. I've been submitting stories for ten years or so by now and have had one acceptance. It isn't like I'm going to stop writing, so I need to keep being stubborn.
Onwards and upwards, my friends.
Saturday, June 20, 2015
Friday, June 5, 2015
While I was in the throes of working on The Last Song, I blogged about how, though I'd chosen Detroit as it's setting, I'd never been to Detroit. Over a couple of posts, I've tried to discuss the media I was exploring in order to inform my sense of place, because Sense of Place is crucial both as a writer and as a reader. If my novel feels as though it could have happened literally anywhere, and just has the Detroit label slapped on it, well, then I didn't quite do it right.